randian | 燃点

Clearly, the artists have adhered to the exhibition’s theme of “attachment”. All of their pieces also emphasize workmanship; the intricate labor involved brings their work to a higher level of exquisite detail. However, there are a few essential differences between the works by the Chinese and Korean artists... >> Read more

Located in the 798 Art District in Beijing, Force Gallery was established in 2010 as research and exhibition oriented contemporary art center formed to provide an innovative platform for the dissemination and critical understanding of contemporary art in Asia. >> Read more

‟Liquefied Sunshine | Force Majeure” is a dual solo exhibition by Hong Kong artists, >> Read more

Simon Lee Gallery, New York, is pleased to announce Invisible Force, an exhibition of new and historical work by Japanese conceptual artist, Keiji Uematsu, his first ever solo presentation in the United States. >> Read more

Hong Kong’s 10 Chancery Lane Gallery is pleased to introduce Beijing artist Wang Guangxu, curated by Tang Zehui, in his first Hong Kong solo exhibition. >> Read more

Quite a contrary to the trend in Chinese contemporary art that often manifests grand narratives, including historical consciousness, >> Read more

It is Leo Gallery’s honour to hold in Shanghai the solo exhibition of highly celebrated Chinese abstract art master Tan Ping. Compared to the solo exhibition presented in Leo Gallery Hong Kong earlier, this would be an integrated manifestation of art and space in a new form. “Form-forces” directly infuses specific site and space with […] >> Read more

Hanart TZ Gallery is pleased to announce the artist’s reception of Centrifugal Force: The Art Field of Wong Chung-yu, a solo exhibition by a young Hong Kong ink painter and new media artist Wong Chung-yu, to take place on Friday, 16 June 2017, from 6-8pm at the gallery. (Exhibition runs from June 10 until 15 July). >> Read more

Simon Lee Gallery is proud to announce a solo exhibition of new and historical work by Japanese conceptual artist Keiji Uematsu, his first ever in the United Kingdom. >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more